A photograph is where a commissioned painting begins, but it is rarely where the whole story lives.
The image may capture an engagement, a wedding day, an anniversary, a growing family or a person whose presence is deeply missed. It might be technically beautiful, or it may simply be the one photograph you return to because of what it means.
I do not need the photograph to be perfect.
I need it to contain something true.
Before beginning a Milestone Collection painting, I want to understand why you chose this particular moment. What was happening just beyond the frame? What do you remember about the day? Which details feel essential, and which could fall away? Most importantly, what do you hope to feel when you live with the finished painting?
Those conversations guide every decision that follows.
I study the photograph for composition, light, colour and gesture. I look at the way people relate to one another: how their bodies lean together, where their attention rests and whether the tenderness of the moment appears in a hand, a posture or an expression.
I also consider what the camera included that the painting may not need.
A photograph records everything within the frame with equal certainty. A painting can choose. It can quiet a distracting background, soften an unnecessary detail, shift the colours toward the feeling of the memory or draw the eye toward the part that matters most.
Sometimes, the complete story cannot be found in one image. A second photograph may show a clearer expression, a beloved pet or a loved one the client wishes to include. When appropriate, I can thoughtfully bring references together so the final painting reflects the memory as it is held—not only as it happened within a fraction of a second.
This is especially meaningful for in-memoriam additions. Painting someone into a scene they could not physically attend requires sensitivity. My intention is never to make their presence feel imposed, but to create a gentle and believable place for them within an image of love and connection.